Victoria Miro is delighted to present exhibitions by Boscoe Holder and Geoffrey Holder. Shown in tandem for the first time, exhibitions by Boscoe (1921–2007) and his younger brother Geoffrey (1930–2014) foreground the siblings as painters against the significance of their achievements in theatre, dance and film.
Born in Port of Spain, Trinidad and Tobago, Boscoe and Geoffrey Holder were true polymaths whose groundbreaking careers in the visual and performing arts led them individually to the UK, where Boscoe settled in 1950, and the US, where Geoffrey made his home in 1953, and wider international acclaim.
Throughout their careers, both regarded the impulse to paint as being intrinsic to their broader creative drive, an embodied painting informed by and informing their accomplishments as choreographers and performers. On view across the two spaces of our London gallery, these exhibitions consider for the first time the siblings as painters in parallel.
A new essay, entitled Vetiver and Turpentine, by Trinidad-born writer Attillah Springer accompanies the exhibitions. Excerpts of the text are featured below along with selected works on view.
Victoria Miro (Wharf road), London until 27th July ‘24. Free entry.
Image credits: Boscoe Holder, Green Background, 1996; Geoffrey Holder, Woman on Man’s Shoulders, Late-1970s. Courtesy of Victoria Miro Gallery.
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